The Ocean Has the Final Say probes both the digital sites and physical material to question the historical construction of  border and sovereignty as relating to the modern nation-state and under the Mandala system in pre-modern Southeast Asia. Oscillating between chroma keying technology, live interaction with audiences and pre-recorded web-surfing, the performance speculates a new political system in which territory can be made both public and private, allowing for a more nuanced mode of owning and caring for the sea and land.